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Elkhorn photo credit Brennan Cavanaugh3443.jpg

 photo by Brennan Cavanaugh

Drew Gardner and Jesse Sheppard, the two-guitar duo of Elkhorn, share a musical brotherhood that spans several decades. From their nascent high school socialist-realist post punk band, Mayfirst, to teenage scavenger trips to the Princeton Record Exchange and City Gardens, the two came of age goofing along to the Dead Kennedys, the Butthole Surfers, and Sonic Youth in the dank Jersey/Philly-scene music holes.

After college in the nineties Drew moved off to San Francisco and got deep into the free jazz/energy music scene as a drummer, where he collaborated with John Tchicai among many other heavy hitters. Post-college Jesse was transfixed by the modal excursions of ‘70s electric Miles Davis and the exploratory prognostications of King Crimson and Jimi Hendrix. 

When Drew moved back east in the late ’90s, the two were again in the same place at the same time, and it was only natural to play music together. A few years later Jesse decamped to the Philadelphia suburbs to raise a family and pursue filmmaking, and in the process discovered both American Primitive music—Jack Rose was living in Philly at the time and performing regularly—and his instrument—twelve-string acoustic guitar. Around the same time, Drew picked up the Fender Telecaster again, with an ear toward the extended electric solos of classic rock and a foundation of improvisational practice at his back.

The inherent duality of the band—acoustic/electric, traditional/modern, 12-string/6-string, fingerpicking/plectrum, ostinato/lead—coalesced to create the unified Elkhorn sound. They played their first show in 2013, and put out three official releases over the coming years: Elkhorn (Beyond Beyond is Beyond, 2016), The Black River (Debacle, 2017), and Lionfish (Eiderdown, 2018). East and West coast tours followed.

With the double albums Sun Cycle and Elk Jam (Feeding Tube, 2019) Elkhorn stepped firmly into a series of collaborative efforts that redefined their ever-changing sound.  Recording at Black Dirt again, the duo fluidly expanded to include Willie Lane on third guitar and Ryan Jewell on drums and tabla. The following year they returned with The Storm Sessions (Beyond Beyond is Beyond, 2020) and The Acoustic Storm Sessions (Centripetal Force / Cardinal Fuzz, 2020), recorded at Gardner’s Harlem home studio with long-time friend, Turner Williams on shahi baaja and electric bouzouki.  The band's truncated March of 2020 tour was documented on the Southern Star cassette (Warhen Records, 2021) and shows the band in full flight with a wide range of guests, including Mike Gangloff of the band Pelt.  Later that year The Golden Lag tape (Blue Hole Recordings, 2021) came out, documenting the band's only livestream performance of the pandemic. Jesse and Drew performed from Jesse's home, while Turner joined via WhatsApp from Marseille, France.

Elkhorn music unfolds at its own pace. It is music with a point of view and momentum. It begins with an intention to be sincere and fully expressive in the moment, and often results in musical journeys toward transcendence. The duo is multitudes. The duo is one.

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